time, one of those concepts as familiar as incomprehensible. Entretiempos is trying to focus through different and sometimes unusual views with the use of photography and video. 17 artists to give it some time ...
Despite the multitude of theories and analysis in which it was submitted, that time is a dimension so abstract and variable which takes the form of a conceptual formulation irreducible over. Topics center of philosophical, scientific, religious and historic of all time, what is called fourth dimension is at the core of human existence based on a conception of time that determines the quality and the quantity of life, as its nature will inevitably pass us by. Not by chance time is without beginning or end, always equal to itself, Censorinus said, Latin scholar of the third century; time does not ever there is always somewhere else, past or future .
And it is time, in its various meanings in doing so on the last show of the Man who has 17 works by artists of the last decade - calling into question photography, mediums that can freeze a portion time - the selection of which focuses on issues that arise from the concept of nature, analyzing the effects of the camera and what follows from it: the ephemeral, the transient, the random el'imponderabile.
Explore the boundary between still image and moving image , David Claerbout in the video that captures the same time through different angles giving the film moving at a fixed reality, horrified. A three-dimensional virtual space granted by the astonishing expansion of the moment. On the contrary, the actions moving to Jeff Wall and Paul Pfeiffer undergo drastic and unexpected suspension, a sort of freezing of the picture as a result of a process of digital manipulation . And if the event through memory is the dominant element in the works of Clare Strand - documentary images for the reconstruction of scenes of crime based on clues that reveal -, Tacita Dean explores the limits of the image, revealing connections between past and present, between truth and fiction in the two films that focus on the study of which Giorgio Morandi served for over fifty years. It 's a reality that is constantly changing, however, that Michael Snow down through a window whose tent embodies the transience of nature, while the operation of Erwin Wurm human figure in the report to items that become meaningless media to become unstable, often unsettling, the duration of a moment, matches perfectly with the fleeting moments that Michael Wesely fixed on the film with long exposure times to simulate a dark and spooky Berlin.
stimulate the viewer's perception through associations and combinations, to create new ideas reflection sensitive to the transience and unpredictability all'aleatorio up the gesture, in a seductive dimension always able to surprise and abroad, this is the objective of the exhibition. Place where reality and fiction are essential. Investigate the illusion of time, this unknown.
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