large exhibition with a focus on Olympic projects in 1960. The capital celebrates the multifaceted figure of Pier Luigi Nervi. The architect of the structures, the master builder who was able to beautifully molded concrete. Among organic architecture and rationalism ...
The building is, without comparisons, the oldest and most important of human activities. Arises from the satisfaction of material needs of the individual and the community rises to express the deepest feelings and spontaneous. If, to put it into practice, take advantage of those principles which are structural originality, ingenuity in the use of materials to the speed of execution, needless to say that it is part of a logic of absolute excellence in engineering / architecture. Like the protagonist of the economic miracle after World War II, the international icon who was responsible for the spread of modus vivendi made in Italy beyond the borders. The most brilliant artist of concrete to that of Pevsner or Pier Luigi Nervi (Sondrio, 1891 - Rome, 1979). Experimentation and research on the one hand, creativity and scientific part, contribute to shape the revolutionary roofing geodetic but also a reinterpretation of piers, buttresses and ribs derived Gothic architecture. Nomen omen - The Namesake - would say that the Roman master of the concrete in the service of an innovative architecture based on strict principles of stability and functionality, which has contributed to overcoming the sterile conflict between engineering and architecture.
Introduced by Joseph , the family motorboat ran aground ferrocement in front of the museum, the exhibition continues inside with 15 of his most famous projects - from Theatre Augusteo to ' Italian Embassy in Brasilia going from Pavilion Torino Esposizioni - with the spotlight on the capital works carried out during the Olympics in 1960 marks the fiftieth anniversary. An itinerary and complex sets of multi-faceted figure who was, besides engineer and architect, including manufacturer, inventor, writer and teacher, creating and disseminating a discipline that would be within everyone's reach. Plastics, films, interviews and vintage photos, original documents of over 40 patents filed, the model / game that explains the nervous system side by side, among others, the original drawings of the four masterpieces produced in four years, emblematic for understanding the static conception of Nervi. The Sports Hall , the circular dome lowered - the inner shell is composed of a cross ribs "TAVELLONE" in Ferrocement - supported by radial sloping stands, the Stadio Flaminio , ring steps, which is also coverage of the bodies below, with the roof on the gallery, the Palazzo dello Sport EUR, circular structure crowned by a magnificent dome rippled and viaduct of Corso Francia, where it employs to gauge pillars variable. All in a marked path from large round where they are projected Nerviani circular shell, domes virtual optical effects of finest material that mankind has invented.
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