The contemplation of nature, between dream and nightmare in the works of Silvia Argiolas. Through suggestions expressionist paintings that draw from northern Europe. In an overview of forest scenery. Between Heaven and gloomy atmosphere darkened ...
Mother of all things. Principle of motion and stillness, and even divine order, for which all things move, and are born and die. nature, its constant pulsing and spirituality are closely related to the undisputed protagonists of the third round of Little Circus hosting the latest production Silvia Argiolas (Cagliari, 1977). On the assumption that the ultimate goal of nature is man, and it is the combination of earthly reality and the hereafter, between the conscious and unconscious, spirit nature and derive from the same principle as nature must be visible spirit, spirit the invisible nature, to paraphrase Schelling.
is a journey through the dark forest scenarios suspended between dream and nightmare where humanity is closely integrated with the landscape and the ruthless night falls, threatening, enveloping everything. Confusing heaven and the earth standing out in highlighting the bundles of flowers, constantly works on display. Scie light as a breath as the last exhalation anthropomorphic beings, sometimes monstrous hybrids. Restless spirits that come from the bodies as a result of an exorcism, panics of ancestral rites celebrated in the glow of a ghostly moon. In a silent, without time or place, where the sublime horror look.
Store definitely the charm of neo-folk with grafts Japan, the artist goes into more and more in Northern Europe - from Peter Doig to Daniel Richter - sweetened form and color but not the metamorphic hallucinatory visions, the complex dimension of discomfort existential, the deformation of mind and body, or the artificial paradises. In the paint surface colors are becoming more fluid, expand, explode and invade lenses. Where creep is not always light up the stars, skeletal trees devoid of leaves that unexpectedly opened up new prospects suddenly giving way to a lush nature. Only malignant in appearance. Where the landscape background or setting is not easy but absolute purification and catharsis that frees the individual from human pain.
The contemplation of nature and everything that follows, by the transience of existence to the evolution and transformation to supernatural forces, everything is concentrated in I and I, that the transmutation of body and spirit not only if it is true that, citing Munch , by My body decayed and I will grow flowers in them: this is eternity.
0 comments:
Post a Comment